BIO
Tori Cho's sculptural practice stages the body as a site of failed containment. Working across plaster, hot glue, silicone, ceramics, and steel, alongside the material residue of pharmaceutical and industrial excess such as empty nitrous oxide canisters and melted dental plastic, she produces conditions that behave like bodies. Through leakage, accumulation, and material disobedience, her work examines how bodies are regulated and are continuously reconfigured.
Across the work, she reclaims the word pervert as an orientation: a position where rather than turning away from what disgusts, to turns toward it. There is an eroticism within the porousness of a body that was never sealed to begin with. Her minimal and controlled formal language becomes the container that allows excess to be legible, it emerges through penetration, containment, pressure, and release. She creates work that disturbs, that transgresses, that looks at human pathology and desire without flinching by rendering the uncomfortable decay and viscerality that polite society prefers not to see.
Her work is rooted in the physical intelligence of materials through labor and embodied making. Using ceramics, steel fabrication, and material play, she subverts familiar processes to examine taboo, technological culture, and the unstable conditions of contemporary life.
Tori Cho's sculptural practice stages the body as a site of failed containment. Working across plaster, hot glue, silicone, ceramics, and steel, alongside the material residue of pharmaceutical and industrial excess such as empty nitrous oxide canisters and melted dental plastic, she produces conditions that behave like bodies. Through leakage, accumulation, and material disobedience, her work examines how bodies are regulated and are continuously reconfigured.
Across the work, she reclaims the word pervert as an orientation: a position where rather than turning away from what disgusts, to turns toward it. There is an eroticism within the porousness of a body that was never sealed to begin with. Her minimal and controlled formal language becomes the container that allows excess to be legible, it emerges through penetration, containment, pressure, and release. She creates work that disturbs, that transgresses, that looks at human pathology and desire without flinching by rendering the uncomfortable decay and viscerality that polite society prefers not to see.
Her work is rooted in the physical intelligence of materials through labor and embodied making. Using ceramics, steel fabrication, and material play, she subverts familiar processes to examine taboo, technological culture, and the unstable conditions of contemporary life.
CV
New York Exhibitions
2026 Nerve-ous | 19 Eldridge
2026 Traces of Unfamiliar Memories | Rumë Atelier
2026 Pressure Point | 39 W 13
2026 To Touch a Two Inch Acre | 39 W 13
2026 The Wedding | Surfacescape at Weylin 175 Broadway
2025 Open Studios | 39 W 13
2025 My Mother Left for Tea Time | 25E13 Gallery
2025 Neptune House | Loft39 Gallery
2025 Waiters | Rabbit Hole Space
2025 The Simulated Real | Mr Kills Gallery
2026 Nerve-ous | 19 Eldridge
2026 Traces of Unfamiliar Memories | Rumë Atelier
2026 Pressure Point | 39 W 13
2026 To Touch a Two Inch Acre | 39 W 13
2026 The Wedding | Surfacescape at Weylin 175 Broadway
2025 Open Studios | 39 W 13
2025 My Mother Left for Tea Time | 25E13 Gallery
2025 Neptune House | Loft39 Gallery
2025 Waiters | Rabbit Hole Space
2025 The Simulated Real | Mr Kills Gallery
CONTACT
toricho6@gmail.com
@pervertheory